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Saltpetre and Robert Frost
At the boys' school I attended we all believed the legend of saltpetre in the mashed potatoes. The salt was said--as when grease fires flare in kitchens--to deaden the unruly flames of forbidden sexuality. But if saltpetre was there truly, it was notable for ineffectuality.
This was the same school where they brought in some big names-- Oppenheimer, Robert Frost, legends in their own lifetime-- to spend a week on campus in the "Visiting Fireman" program. They'd sit with us in class and meet with small groups
of hand-picked students-- myself included--who, with all roads open, asked only the most general questions, the vaguest of directions. Frost was old, gentle, white-haired, ever respectful of us, but had an air as though
always holding back a laugh at some constant running joke as if his intercourse with us was just a playful fragment of an ongoing dialogue between two lovers, the way you'd sit a three-year-old on your knee and tell her
in her mother's hearing she would be even more beautiful than her mother, if only such perfection were possible, and the words are heartfelt appreciation, the hyperbole is slight; the lovers' joke is in the indirection.
Some people ask me today, "Why do you write poetry?" Sometimes I say to them that it's my Irish blood; other times I tell them how I shook the feathery, parchment hand of Robert Frost when I was seventeen, maybe something took.
But if I say that, they ask why I lost so many years before I started writing. Sometimes I answer that I counted cost; other times I tell the legend of saltpetre past, highlighting the fact that it and Frost kicked in at last
about the same time.
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